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Alessandro de Médici (1540–1553) – Oil on panel, 34,90 x 26,20 cm, Cerralbo Museum, Madrid.
Crossing of the Red Sea (1541–42) – Fresco, 320 x 490 cm, Palazzo Vecchio, Florence
Portrait of a Young Girl (1541–45) – Oil on wood, 58 x 46,5 cm, Uffizi, Florence
Portrait of Bia de' Medici (c. 1542) – Tempera on panel, 63 x 48 cm, Uffizi, Florence
Portrait of Cosimo I de' Medici (1545) – Oil on panel, 74 x 58 cm, Uffizi, Florence
Portrait of Cosimo I de' Medici (c. 1545) – Oil on panel, 76,5 x 59 cm, Museo Thyssen-Bornemisza, Madrid.
Portrait of Giovanni de' Medici as a Child (c. 1545) – Oil on wood, 58 x 46 cm, Uffizi, Florence
Portrait of Eleanor of Toledo (c. 1545) – Oil on panel, 115 x 96 cm, Uffizi, Florence
Portrait of Lucrezia Panciatichi (c. 1545) – Oil on panel, 101 x 82.8 cm, Uffizi, Florence
Christ on the Cross (c. 1545) – Oil on panel, 145 x 115 cm, Musée des Beaux-Arts, Nice
Portrait of Stefano Colonna (1546) – Oil on panel, 125 x 95 cm, Galleria Nazionale d'Arte Antica, Rome
Portrait of Don Garcia de' Medici (1550) – Oil on panel, Museo del Prado, Madrid
Portrait of a Lady (c. 1550) – Oil on wood, 109 x 85 cm, Galleria Sabauda, Turin
PortraIt of a Young Man (possibly Pierino da Vinci) (c. 1550)
Venus, Cupid and Jealousy (or Envy) (c. 1550) – Oil on wood, 192 x 142 cm, Szépművészeti Múzeum, Budapest
Portrait of Andrea Doria as Neptune (1550–1555) – Oil on canvas, 115 x 53 cm, Pinacoteca di Brera, Milan
St. John the Baptist (1550–1555) – Oil on wood, 120 x 92 cm, Galleria Borghese, Rome
Portrait of Pierantonio Bandini (c. 1550–1555) – Oil on wood, 106,7 x 82,5 cm, National Gallery of Canada
Portrait of Francesco I de' Medici (1551) – Tempera on wood, 58.5 x 41.5 cm, Uffizi, Florence
Portrait of Maria de' Medici (1551) – Tempera on wood, 52.5 x 38 cm, Uffizi, Florence
Portrait of Ludovico Capponi (1551) – Oil on wood, 117 x 86 cm, Frick Collection, New York
Christ in Limbo, 1552, Florence, Museo dell'Opera di Santa Croce
Portrait of the Dwarf Nano Morgante (1552)
Holy Family (1555–1560) – Tempera on wood, 117 x 99 cm, Pushkin Museum, Moscow
Portrait of Laura Battiferri (1555–1560) – Oil on canvas, 83 x 60 cm, Palazzo Vecchio, Florence
Noli me tangere (1561) – Oil on canvas, 291 x 195 cm, Musée du Louvre, Paris
Allegory of Happiness (1564) – Oil on copper, 40 x 30 cm, Uffizi, Florence
Deposition of Christ (1565) – Oil on wood, 350 x 235 cm, Galleria dell'Accademia, Florence
Martyrdom of St. Lawrence (1569) – Fresco, San Lorenzo, Florence


Works

References
Footnotes

Citations

Further reading
Maurice Brock, Bronzino, Edition du Régard, Paris 2002. ISBN 2-84105-140-4
The Drawings of Bronzino, exh. cat. ed. by Carmen C. Bambach, contr. by Elizabeth Pilliod, Marzia Faietti, Janet Cox-Rearick, Philippe Costamagna, The Metropolitan Museum of Art, New York ISBN 978-1-58839-354-8, 978-0-300-15512-9
Bronzino: pittore e poeta alla corte dei Medici, exh. cat. ed. by Antonio Natali e Carlo Falciani, Palazzo Strozzi, Florence 2010–11. ISBN 978-88-7461-153-9.

External links

Bronzino: artist and poet. InToscana.
Agnolo Bronzino's Biography, Style and Artworks
The National Gallery: Agnolo Bronzino
Biography Angolo Bronzino at Encyclopaedia Britannica
Palazzo Strozzi, Florence/Bruce Adolphe's "Of Art and Onions: Homage to Bronzino"
Italian Paintings: Florentine School, a collection catalog containing information about the artist and his works (see pages: 200–204).
Agnolo Gaddi (c.1350–1396) was an Italian painter. He was born and died in Florence, and was the son of the painter Taddeo Gaddi, who was himself the major pupil of the Florentine master Giotto.


Agnolo was a painter and mosaicist, trained by his father, and a merchant as well; in middle age he settled down to commercial life in Venice, and he added greatly to the family wealth. He died in Florence in October 1396.
Agnolo was an influential and prolific artist who was the last major Florentine painter stylistically descended from Giotto. His paintings show much early promise, although Rossetti (1911) suggests his abilities did not progress as he advanced in life. One of the earliest works, at San Jacopo tra i Fossi, Florence, represents the "Resurrection of Lazarus." Another probably youthful performance is the series of frescoes of the Prato Cathedral—legends of the Virgin and of her Sacred Girdle; the "Marriage of Mary" is one of the best of this series, the later compositions in which have suffered much by renewals. In Santa Croce, Florence he painted, in eight frescoes, the legend of the Cross, beginning with the archangel Michael giving Seth a branch from the Tree of Knowledge, and ending with the emperor Heraclius carrying the Cross as he enters Jerusalem; in this picture is a portrait of the painter himself.
Among his pupils was the author of an art treatise, Cennino Cennini, who mentions him in the book.
Giorgio Vasari included a biography of Agnolo Gaddi in his Lives of the Most Excellent Painters, Sculptors, and Architects.

Paintings
Enthroned Madonna and Child with Saints (c. 1375) tempera on panel at Galleria nazionale di Parma
Madonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels (before 1387), tempera on panel, National Gallery of Art, Andrew W. Mellon Collection, Washington, D.C.. Triptych, possibly commissioned for a Cistercian monastery.
Legend of the True Cross (1385-1387), frescoe cycle in the choir of Santa Croce, Florence
Madonna and Child with Saint John the Evangelist, Saint John the Baptist, Saint James of Compostela and Saint Nicholas of Bari (1388-1390), tempera on panel, National Gallery of Victoria
Coronation of the Virgin with Six Angels (c. 1390), tempera on panel, National Gallery of Art, Samuel H. Kress Collection, Washington, D.C.. This painting is probably the central panel of an altarpiece, possibly from the church of San Giovanni dei Fieri, Pisa.
The Crucifixion (c. 1390) tempera and gold on panel. Thyssen-Bornemisza Museum, Madrid
Madonna of Humility with Angels (mid 1390s), tempera on panel, Cummer Museum of Art and Gardens, Jacksonville, Florida
Madonna and Child with Angels and Saints, tempera on panel, Palazzo Blu collection
Crucifixion (1390s), tempera on panel. Part of a polyptych. Galleria degli Uffizi, Florence.
Histories of the Virgin and the Cintola, Prato Cathedral

Gallery
References
External links

National Gallery of Art, Biography
Agnolo Gaddi
Italian Paintings: Florentine School, a collection catalog containing information about Gaddi and his works (see pages: 46–49).
Albert Weisgerber (21 April 1878 – 10 May 1915) was a German painter whose work forms a bridge between Impressionism and early Expressionism.

Biography
He was born in Sankt Ingbert. From 1897 to 1901 he studied at the Munich Art Academy under Franz von Stuck. He became friends with artists Hans Purrmann, Paul Klee, Wassily Kandinsky, Max Slevogt, and Karl Arnold.
In 1898, he set up his own artists' group, Sturmfackel, with his friend Alfred Kubin. He earned his living making illustrations for the magazine Jugend.
In 1904 he was very active in the Munich café scene, where he met Margaret Pohl, who was also a painter and the daughter of a successful Jewish banker in Prague. They married in 1907.
In 1913 he became founding president of the artists' collective; Münchner Neue Secession, with members such as Alexej von Jawlensky, Paul Klee and Alexander Kanoldt.
According to the RKD, he is known today for his cartoons and illustrations as well as his paintings. He was close friends with Theodor Heuss, who later became the first president of the Federal Republic of Germany in 1949. Heuss' young face can often be found within Weisgerber's paintings.
He joined the German army in World War I and was promoted to the rank of major before being shot and killed on 10 May 1915 in the Battle of Fromelles, west of Rijsel. In the months before his death, Weisgerber was Commanding Officer of the 1st Company of RIR 16 - the List Regiment. Technically, therefore, Weisgerber was Adolf Hitler's commanding officer when he died (although Hitler was assigned to Regimental HQ at the time).
Weisgerber was only 37 years old. His body was initially buried in Fournes-en-Weppes, then exhumed and reburied in Nordfriedhof cemetery in Munich.

Selected paintings
References
Sources
Weber, Thomas (2011). Hitler's First War: Adolf Hitler, the Men of the List Regiment, and the First World War. OUP Oxford. ISBN 9780199226382.

External links

Albert Weisgerber on Artnet
Albert-Ernest Carrier-Belleuse (French pronunciation: [albɛʁ ɛʁnɛst kaʁje bɛløz]; born Albert-Ernest Carrier de Belleuse; 12 June 1824 – 4 June 1887) was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.

Early life

Alessandro de Médici (1540–1553) – Oil on panel, 34,90 x 26,20 cm, Cerralbo Museum, Madrid.

Crossing of the Red Sea (1541–42) – Fresco, 320 x 490 cm, Palazzo Vecchio, Florence

Portrait of a Young Girl (1541–45) – Oil on wood, 58 x 46,5 cm, Uffizi, Florence

Portrait of Bia de' Medici (c. 1542) – Tempera on panel, 63 x 48 cm, Uffizi, Florence

Portrait of Cosimo I de' Medici (1545) – Oil on panel, 74 x 58 cm, Uffizi, Florence

Portrait of Cosimo I de' Medici (c. 1545) – Oil on panel, 76,5 x 59 cm, Museo Thyssen-Bornemisza, Madrid.

Portrait of Giovanni de' Medici as a Child (c. 1545) – Oil on wood, 58 x 46 cm, Uffizi, Florence

Portrait of Eleanor of Toledo (c. 1545) – Oil on panel, 115 x 96 cm, Uffizi, Florence

Portrait of Lucrezia Panciatichi (c. 1545) – Oil on panel, 101 x 82.8 cm, Uffizi, Florence

Christ on the Cross (c. 1545) – Oil on panel, 145 x 115 cm, Musée des Beaux-Arts, Nice

Portrait of Stefano Colonna (1546) – Oil on panel, 125 x 95 cm, Galleria Nazionale d'Arte Antica, Rome

Portrait of Don Garcia de' Medici (1550) – Oil on panel, Museo del Prado, Madrid

Portrait of a Lady (c. 1550) – Oil on wood, 109 x 85 cm, Galleria Sabauda, Turin

PortraIt of a Young Man (possibly Pierino da Vinci) (c. 1550)

Venus, Cupid and Jealousy (or Envy) (c. 1550) – Oil on wood, 192 x 142 cm, Szépművészeti Múzeum, Budapest

Portrait of Andrea Doria as Neptune (1550–1555) – Oil on canvas, 115 x 53 cm, Pinacoteca di Brera, Milan

St. John the Baptist (1550–1555) – Oil on wood, 120 x 92 cm, Galleria Borghese, Rome

Portrait of Pierantonio Bandini (c. 1550–1555) – Oil on wood, 106,7 x 82,5 cm, National Gallery of Canada

Portrait of Francesco I de' Medici (1551) – Tempera on wood, 58.5 x 41.5 cm, Uffizi, Florence

Portrait of Maria de' Medici (1551) – Tempera on wood, 52.5 x 38 cm, Uffizi, Florence

Portrait of Ludovico Capponi (1551) – Oil on wood, 117 x 86 cm, Frick Collection, New York

Christ in Limbo, 1552, Florence, Museo dell'Opera di Santa Croce

Portrait of the Dwarf Nano Morgante (1552)

Holy Family (1555–1560) – Tempera on wood, 117 x 99 cm, Pushkin Museum, Moscow

Portrait of Laura Battiferri (1555–1560) – Oil on canvas, 83 x 60 cm, Palazzo Vecchio, Florence

Noli me tangere (1561) – Oil on canvas, 291 x 195 cm, Musée du Louvre, Paris

Allegory of Happiness (1564) – Oil on copper, 40 x 30 cm, Uffizi, Florence

Deposition of Christ (1565) – Oil on wood, 350 x 235 cm, Galleria dell'Accademia, Florence

Martyrdom of St. Lawrence (1569) – Fresco, San Lorenzo, Florence

Works

References

Footnotes

Citations

Further reading

Maurice Brock, Bronzino, Edition du Régard, Paris 2002. ISBN 2-84105-140-4

The Drawings of Bronzino, exh. cat. ed. by Carmen C. Bambach, contr. by Elizabeth Pilliod, Marzia Faietti, Janet Cox-Rearick, Philippe Costamagna, The Metropolitan Museum of Art, New York ISBN 978-1-58839-354-8, 978-0-300-15512-9

Bronzino: pittore e poeta alla corte dei Medici, exh. cat. ed. by Antonio Natali e Carlo Falciani, Palazzo Strozzi, Florence 2010–11. ISBN 978-88-7461-153-9.

External links

Bronzino: artist and poet. InToscana.

Agnolo Bronzino's Biography, Style and Artworks

The National Gallery: Agnolo Bronzino

Biography Angolo Bronzino at Encyclopaedia Britannica

Palazzo Strozzi, Florence/Bruce Adolphe's "Of Art and Onions: Homage to Bronzino"

Italian Paintings: Florentine School, a collection catalog containing information about the artist and his works (see pages: 200–204).

Agnolo Gaddi (c.1350–1396) was an Italian painter. He was born and died in Florence, and was the son of the painter Taddeo Gaddi, who was himself the major pupil of the Florentine master Giotto.

Agnolo was a painter and mosaicist, trained by his father, and a merchant as well; in middle age he settled down to commercial life in Venice, and he added greatly to the family wealth. He died in Florence in October 1396.

Agnolo was an influential and prolific artist who was the last major Florentine painter stylistically descended from Giotto. His paintings show much early promise, although Rossetti (1911) suggests his abilities did not progress as he advanced in life. One of the earliest works, at San Jacopo tra i Fossi, Florence, represents the "Resurrection of Lazarus." Another probably youthful performance is the series of frescoes of the Prato Cathedral—legends of the Virgin and of her Sacred Girdle; the "Marriage of Mary" is one of the best of this series, the later compositions in which have suffered much by renewals. In Santa Croce, Florence he painted, in eight frescoes, the legend of the Cross, beginning with the archangel Michael giving Seth a branch from the Tree of Knowledge, and ending with the emperor Heraclius carrying the Cross as he enters Jerusalem; in this picture is a portrait of the painter himself.

Among his pupils was the author of an art treatise, Cennino Cennini, who mentions him in the book.

Giorgio Vasari included a biography of Agnolo Gaddi in his Lives of the Most Excellent Painters, Sculptors, and Architects.

Paintings

Enthroned Madonna and Child with Saints (c. 1375) tempera on panel at Galleria nazionale di Parma

Madonna and Child with Saints Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels (before 1387), tempera on panel, National Gallery of Art, Andrew W. Mellon Collection, Washington, D.C.. Triptych, possibly commissioned for a Cistercian monastery.

Legend of the True Cross (1385-1387), frescoe cycle in the choir of Santa Croce, Florence

Madonna and Child with Saint John the Evangelist, Saint John the Baptist, Saint James of Compostela and Saint Nicholas of Bari (1388-1390), tempera on panel, National Gallery of Victoria

Coronation of the Virgin with Six Angels (c. 1390), tempera on panel, National Gallery of Art, Samuel H. Kress Collection, Washington, D.C.. This painting is probably the central panel of an altarpiece, possibly from the church of San Giovanni dei Fieri, Pisa.

The Crucifixion (c. 1390) tempera and gold on panel. Thyssen-Bornemisza Museum, Madrid

Madonna of Humility with Angels (mid 1390s), tempera on panel, Cummer Museum of Art and Gardens, Jacksonville, Florida

Madonna and Child with Angels and Saints, tempera on panel, Palazzo Blu collection

Crucifixion (1390s), tempera on panel. Part of a polyptych. Galleria degli Uffizi, Florence.

Histories of the Virgin and the Cintola, Prato Cathedral

Gallery

References

External links

National Gallery of Art, Biography

Agnolo Gaddi

Italian Paintings: Florentine School, a collection catalog containing information about Gaddi and his works (see pages: 46–49).

Albert Weisgerber (21 April 1878 – 10 May 1915) was a German painter whose work forms a bridge between Impressionism and early Expressionism.

Biography

He was born in Sankt Ingbert. From 1897 to 1901 he studied at the Munich Art Academy under Franz von Stuck. He became friends with artists Hans Purrmann, Paul Klee, Wassily Kandinsky, Max Slevogt, and Karl Arnold.

In 1898, he set up his own artists' group, Sturmfackel, with his friend Alfred Kubin. He earned his living making illustrations for the magazine Jugend.

In 1904 he was very active in the Munich café scene, where he met Margaret Pohl, who was also a painter and the daughter of a successful Jewish banker in Prague. They married in 1907.

In 1913 he became founding president of the artists' collective; Münchner Neue Secession, with members such as Alexej von Jawlensky, Paul Klee and Alexander Kanoldt.

According to the RKD, he is known today for his cartoons and illustrations as well as his paintings. He was close friends with Theodor Heuss, who later became the first president of the Federal Republic of Germany in 1949. Heuss' young face can often be found within Weisgerber's paintings.

He joined the German army in World War I and was promoted to the rank of major before being shot and killed on 10 May 1915 in the Battle of Fromelles, west of Rijsel. In the months before his death, Weisgerber was Commanding Officer of the 1st Company of RIR 16 - the List Regiment. Technically, therefore, Weisgerber was Adolf Hitler's commanding officer when he died (although Hitler was assigned to Regimental HQ at the time).

Weisgerber was only 37 years old. His body was initially buried in Fournes-en-Weppes, then exhumed and reburied in Nordfriedhof cemetery in Munich.

Selected paintings

References

Sources

Weber, Thomas (2011). Hitler's First War: Adolf Hitler, the Men of the List Regiment, and the First World War. OUP Oxford. ISBN 9780199226382.

External links

Albert Weisgerber on Artnet

Albert-Ernest Carrier-Belleuse (French pronunciation: [albɛʁ ɛʁnɛst kaʁje bɛløz]; born Albert-Ernest Carrier de Belleuse; 12 June 1824 – 4 June 1887) was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.

Early life